Some of you already know that Nia Forrester is one of my favorite authors. I 1-click all of her books and I’m never disappointed. As soon as I found out she was releasing FOUR, I made sure to pre-order it. Get to know Nia and FOUR.
When did you first realise you wanted to be a writer?
I don’t know that writing begins as a realization. I just know that I always have. From the time I could string together coherent sentences and write them down, that’s what I did. I remember writing something like poetry when I was about four. Something about raindrops and the sounds they made. I only remember because I had an aunt who was so impressed, she acted as though I’d split the atom and kept reciting the poem to everyone and saying how amazing it was. I guess that makes her my first reviewer.
Which authors have been your literary inspiration?
Some writers I admire are Donna Tartt for her keen insights into human nature; Anne Rice for her rich detail, Agatha Christie for her tightly woven plots, Stephen King for his ability to use simple almost mundane prose to convey situations that are anything but mundane and also his ability to create equally fascinating characters as plots. And more recently, I’ve enjoyed Lisa Jewell and Peter Swanson’s mystery suspense novels. My classic favorites are Nella Larsen and Zora Neale Hurston. My by-far favorite independent author is Jacinta Howard, because she doesn’t just share characters and their stories but portrays a world that’s rarely seen in contemporary fiction – young, Black, talented, and socially-conscious hipsters (who sometimes fall in love with each other).
What’s a typical writing day like for you? Could you describe it for us?
I wake up thinking about writing, and where the characters and story were when I last left them. I start counting in my head all my other obligations for the day, and the hours I can spend writing. I think about the characters as I shower (which is where some really great ideas come, interestingly) and when I get out, I may scribble down the thoughts that came to me. I work a day job, so I don’t write (much) while there. But when I get home, I go immediately to my computer and turn it on. I set the intention to write, even if I don’t get many words down. But on average, I think I get about 2,000—3,000 per evening on paper. And maybe about 1,000 of those words survive the evening.
Where is your favourite place to write?
My home office. Sometimes in my bed, if I use my iPad or Surface. Things don’t work out well when I write from my bed.
Which themes recur in your writing?
My most frequently recurring theme, I think, is that imperfections and even glaring flaws in who a person is, or was, shouldn’t deny them a chance at happiness. Another would be that, contrary to popular wisdom, you can become your best self through and with another person; and there is no rule that says you have to self-perfect before finding love, and growing in love. I also like to insert a lot about how our families can make us, and how we can make our own families.
What inspired the stories in FOUR? How did FOUR come into being?
Quite honestly, FOUR is my gift to readers. The characters in that book are the ones that they ask about the most, who they constantly refer to over and over again, and who, I think resonated with the largest group of people. So, though I have other stories an ideas that I am eager to get to, I wanted to give my readers deep thanks, for reading about these people and their lives, for loving them, and for letting me know they loved them.
Of the four couples in focus in FOUR, is there one that you would call your favourite? Why?
I think Tracy and Brendan. Because Tracy is so outwardly difficult to love, even while she loves fiercely, and permanently. And because Brendan is her soulmate, her complementary other half who could not be more different from her, and could not be more perfect for her.
Many writers have said they’ve found it difficult to focus on writing in the current political and social climate. Has our current state of affairs affected your writing?
It is difficult to think about relationships and love in a time when we’re having so much difficulty relating to each other. I can focus on writing only if I incorporate some elements of our time into what I write. I can’t write as pure escapism, and I suspect that the readers who dislike my work may dislike it in part because it doesn’t offer that pure escape. When I write, the people in my books may lie, cheat on partners, make ill-considered decisions, have sketchy pasts, or are just plain stupid. They also interact with the world as we do. They confront racism, colorism, classism, homophobia, abuse … So, I can focus, but the work definitely takes on a darker, more edgy tone in times like this.
Is there a story you would love to tell but haven’t dared to write yet? Tell us about it. Do you think you’ll ever write it?
I want to write a period piece. About what it was like to be Black in America in the early 1900s, when there we were almost one generation past Emancipation, and beginning to embrace the idea of having full agency, or ”freedom.” I want to write a story centered on the journey, hopes and dreams of a young woman in that time, her work, her loves, her ambitions. I may write it, but it’s so perfect in my head that it’s tough to make the leap to putting pen to paper (or fingers to keyboard).
What’s next for you? Upcoming 2019 releases? Events?
I may do two events in 2019. Wine with Writers, which I do with Lily Java, Rae Lamar and Jacinta Howard, and one other, as yet to be determined. As far as upcoming releases, I have three or four that I know I want to do, and plan to continue writing my ’Shorts’ as inspiration strikes me.
Four couples, four transitions, four seasons of marriage …
Most couples wouldn’t have weathered one mistake of the kind Shawn made when he and Riley first got married, let alone emerge with a commitment that’s stronger, a beautiful family and a love that’s even deeper. Is there any way their relationship can survive mistake number two?
Whatever Brendan wants, Brendan gets. It’s an arrangement Tracy doesn’t mind, because he provides everything she needs: love, financial security and the comfort of never having to work outside the home. But now, the most important thing she wants, he doesn’t have the time—or maybe even the will—to give. With a relationship built on giving all of herself, is it fair to now ask for a piece back?
Robyn’s career is in a growth-spurt just as Chris’ seems to be at its natural end. No longer empire-building, he’s struggling with his new reality, and the need for a sense of purpose separate from his work. His wife seems way too busy to notice. That is, until someone else does.
Once a mistress, now just a suburban wife and working mother, Keisha doesn’t recognize herself most days. The problem is, Jayson doesn’t either. If he’s reading her right, she wants out. And unless she’s mistaken, he might not mind too much if she decided to go.
The ‘Commitment’ series finale.
On Sale October 21
About Nia Forrester
Nia Forrester lives and writes in Philadelphia, PA where, by day, she is an attorney working on public policy and by night, she crafts woman-centered fiction that examines the complexities of life, love and the human condition.
She welcomes feedback and email from her readers at firstname.lastname@example.org or tweets @NiaForrester.